Dance Circle

Dance Circle

Photo by Paula Lobo David Parsons traces his modern dance legacy to 1971, when he performed Alvin Ailey’s choreography in Leonard Bernstein’s Mass, and to his significant time with the Paul Taylor Dance Company in the 1980s. But he’s become something of a household name after starting Parsons Dance 25 years ago, a troupe that specializes in spectacular athletics and eye-catching concepts, even if some critics find them a bit insubstantial. His signature work, Caught (likely to be included on this program), combines a strobe light and well-timed vertical leaps to create a gravity-defying illusion. His more recent work relies…


Photo by Paula Lobo

David Parsons traces his modern dance legacy to 1971, when he performed Alvin Ailey’s choreography in Leonard Bernstein’s Mass, and to his significant time with the Paul Taylor Dance Company in the 1980s. But he’s become something of a household name after starting Parsons Dance 25 years ago, a troupe that specializes in spectacular athletics and eye-catching concepts, even if some critics find them a bit insubstantial. His signature work, Caught (likely to be included on this program), combines a strobe light and well-timed vertical leaps to create a gravity-defying illusion. His more recent work relies on a dazzlingly strong and nimble company of 10 young dancers who bend into and out of geometric shapes with ease.

Parsons Dance  (Nov. 16). Wilson Center for the Arts. Harris Theatre. 19805 W. Capitol Dr., 262-781-9520, wilson-center.com

Paul Kosidowski is a freelance writer and critic who contributes regularly to Milwaukee Magazine, WUWM Milwaukee Public Radio and national arts magazines. He writes weekly reviews and previews for the Culture Club column. He was literary director of the Milwaukee Repertory Theater from 1999-2006. In 2007, he was a fellow with the NEA Theater and Musical Theater Criticism Institute at the University of Southern California. His writing has also appeared in American Theatre magazine, Backstage, The Boston Globe, Theatre Topics, and Isthmus (Madison, Wis.). He has taught theater history, arts criticism and magazine writing at Marquette University and the University of Wisconsin-Milwaukee.