Heather Hambrecht

Heather Hambrecht

  In her studio in that Bay View warehouse, incense wafts through the room and mingles with the intoxicating scent of newly tanned leather. Sewing machines sit idle and leather purses hang from metal, tree-like racks, their branches reaching out to offer leather-covered handshakes. It’s all extremely calming, especially if you can appreciate a well-made handbag – one that could be made with locally tanned Seidel leather to boot. This is Heather Hambrecht’s kingdom, though it will soon expand to Evanston, Ill. For now, Milwaukee will remain her “place of creation” from which these purses and sizeless leather apparel spring…

 
In her studio in that Bay View warehouse, incense wafts through the room and mingles with the intoxicating scent of newly tanned leather. Sewing machines sit idle and leather purses hang from metal, tree-like racks, their branches reaching out to offer leather-covered handshakes. It’s all extremely calming, especially if you can appreciate a well-made handbag – one that could be made with locally tanned Seidel leather to boot. This is Heather Hambrecht’s kingdom, though it will soon expand to Evanston, Ill. For now, Milwaukee will remain her “place of creation” from which these purses and sizeless leather apparel spring forth. For a time, she styled makeup and wigs for the Kennedy Center in Washington, D.C., but now, she fills her days helping to run an artists’ collective called Shampoo Horn Studios, and hand-stitches her wares, which are made in leather so smooth you’d think they were polished with butter. Why leather? “It’s an extension of life,” she says. 

Some of these creations – coin purses, clutches – are printed with “abstract poetic words” that, according to Hambrecht, reveal “hidden treasures and beauty” for their owners. The hardware affixed to each is adjustable, and her larger purses are designed with wide shoulder straps for comfort. Many of her items have exterior seams, she says, as a nod to the “thought process of what the piece will become.” Hambrecht speaks of the purses, and the thoughtful intent infused into each, as if she’s relaying a closely guarded secret. But these beautiful secrets are much closer than you think.

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Claire Hanan worked at the magazine as an editor from 2012-2017. She edited the Culture section and wrote stories about all sorts of topics, including the arts, fashion, politics and more. In 2016, she was a finalist for best profile writing at the City and Regional Magazine Awards for her story "In A Flash." In 2014, she won the the Milwaukee Press gold award for best public service story for editing "Handle With Care," a service package about aging in Milwaukee. Before all this, she attended the University of Missouri's School of Journalism and New York University's Summer Publishing Institute.