Irish Certainties

Irish Certainties

Iarla Ó Lionáird photo by Feargal Ward  Never a group to shy away from the big picture, Present Music offers a program simply called “Life, Love, and Death,” which – other than taxes – pretty much covers it all. But with simple ideas come large beauty. Donnacha Dennehy’s “Grá agus Bás,” (“Love and Death”) features a contemporary ensemble fronted by Iarla Ó Lionáird, who sings in the traditional Irish style known as Sean-nós. The piece’s 2011 Nonesuch release received plaudits from around the world. The other piece on the program, “Life,” is a collaboration between composer Louis Andriessen and film…

Iarla Ó Lionáird photo by Feargal Ward 


Never a group to shy away from the big picture, Present Music offers a program simply called “Life, Love, and Death,” which – other than taxes – pretty much covers it all. But with simple ideas come large beauty. Donnacha Dennehy’s “Grá agus Bás,” (“Love and Death”) features a contemporary ensemble fronted by Iarla Ó Lionáird, who sings in the traditional Irish style known as Sean-nós. The piece’s 2011 Nonesuch release received plaudits from around the world. The other piece on the program, “Life,” is a collaboration between composer Louis Andriessen and film artist Marijke van Warmerdam, a piece in which, according to The New York Times, “the fantastic repeatedly emerges from the mundane.” (Paul Kosidowski)

 

“Life, Love, and Death” (April 11). Present Music. Turner Hall Ballroom. 1034 N. Fourth St., 414-286-3663, presentmusic.org.

This article appears in the April 2014 issue of Milwaukee Magazine.

Want more articles like this? Subscribe to Milwaukee Magazine.

Paul Kosidowski is a freelance writer and critic who contributes regularly to Milwaukee Magazine, WUWM Milwaukee Public Radio and national arts magazines. He writes weekly reviews and previews for the Culture Club column. He was literary director of the Milwaukee Repertory Theater from 1999-2006. In 2007, he was a fellow with the NEA Theater and Musical Theater Criticism Institute at the University of Southern California. His writing has also appeared in American Theatre magazine, Backstage, The Boston Globe, Theatre Topics, and Isthmus (Madison, Wis.). He has taught theater history, arts criticism and magazine writing at Marquette University and the University of Wisconsin-Milwaukee.