New Stuff for the New Year

New Stuff for the New Year

Who says everything old is new again? This week, Milwaukee celebrates the New Year with new work, including musical and theatrical world premieres, contemporary sculpture, and a major theater “debut” by a young theater company. #5: The Magic Bicycle at First Stage Children’s Theatre. Why? Because flying pedalers are still alive and well, almost three decades after E.T., Elliott, and friends took to the sky. And because original plays are not dead, thanks to programs like First Stage’s New Play Workshop program. This one – about a time-traveling bicyclist – is by John Olive, a familiar name to Milwaukee theatergoers…

Who says everything old is new again? This week, Milwaukee celebrates the New Year with new work, including musical and theatrical world premieres, contemporary sculpture, and a major theater “debut” by a young theater company.

#5: The Magic Bicycle at First Stage Children’s Theatre.
Why? Because flying pedalers are still alive and well, almost three decades after E.T., Elliott, and friends took to the sky. And because original plays are not dead, thanks to programs like First Stage’s New Play Workshop program. This one – about a time-traveling bicyclist – is by John Olive, a familiar name to Milwaukee theatergoers for his Voice of the Prairie, and familiar around the country for his award-winning plays for young audiences.

#4: The Milwaukee Symphony Orchestra at the Marcus Center.
Why? Because composer Geoffrey Gordon has had his work performed all over the world. But it’s been some time since he’s been featured at his almost-home town (he lives in Cedarburg). The MSO showcases their stellar trombonist, Megumi Kanda, in a world premiere of Gordon’s Trombone Concerto. And conductor James Gaffigan adds a little Mozart and Charles Ives in the mix for good measure.

#3: On Site at the Milwaukee Art Museum.
Why? Because the museum’s delicious European Design show has closed, but don’t let that fact keep you away from the bright confines of the MAM in January. Two good reasons: Chakaia Booker’s dazzlingly complex sculptures, made entirely from recycled auto tires. And Robert Therrien’s mind- and perspective-bending table and chairs. Calatrava’s sun-splashed white marble interior offers both artists a great backdrop for their work.

#2: The 39 Steps at the Milwaukee Rep.
Why? Because Patrick Barlow’s skewering of the Hitchcock spy thriller was a hit in both London and New York. And its slapstick and visual gags will be well served by two of the Rep’s great physical comedians, Gerard Neugent and Reese Madigan. And if you’re a Hitchcock aficionado, you’ll be pleased to know that all the great scenes from the movie are here, including plane crashes and the shattering climax at the London Palladium.

#1: Crumbs from the Table of Joy at Renaissance Theatreworks.
Why? Because this production marks the first collaboration between Renaissance and Uprooted Theater, the fledgling local company dedicated to African-American works and perspectives. And because Marti Gobel, who will perform the lead role, is one of the most welcome additions to the Milwaukee scene in the last few years. And because Lynn Nottage’s story of a Brooklyn family in the 1950s is gently touching without treading on Movie-of-the-Week territory.

Paul Kosidowski is a freelance writer and critic who contributes regularly to Milwaukee Magazine, WUWM Milwaukee Public Radio and national arts magazines. He writes weekly reviews and previews for the Culture Club column. He was literary director of the Milwaukee Repertory Theater from 1999-2006. In 2007, he was a fellow with the NEA Theater and Musical Theater Criticism Institute at the University of Southern California. His writing has also appeared in American Theatre magazine, Backstage, The Boston Globe, Theatre Topics, and Isthmus (Madison, Wis.). He has taught theater history, arts criticism and magazine writing at Marquette University and the University of Wisconsin-Milwaukee.