It Can Only Get Better…

It Can Only Get Better…

I don’t know. Being tabbed the “Drunkest City in America” these days, when the world seems to be completely and unfathomably bonkers, seems to be a mark of distinction that suggests sensitive soulfulness and eyes-wide-open discernment. But who are we to say. For those of you who want to further the cause, here are some choices for celebrating the end of 2010. #5: The Hold Steady at Riverside Theater. Why? Because Craig Finn and friends are a rollicking bunch of tunesmiths, and their high energy antics should be just right for end-of-the-year behavior that will provide fodder for stories well…

I don’t know. Being tabbed the “Drunkest City in America” these days, when the world seems to be completely and unfathomably bonkers, seems to be a mark of distinction that suggests sensitive soulfulness and eyes-wide-open discernment. But who are we to say. For those of you who want to further the cause, here are some choices for celebrating the end of 2010.

#5: The Hold Steady at Riverside Theater.
Why? Because Craig Finn and friends are a rollicking bunch of tunesmiths, and their high energy antics should be just right for end-of-the-year behavior that will provide fodder for stories well into April. Plus, we’re sure that Finn will dedicate “Party Pit” to our fair, drunk city.

#4: Sigmund Snopek at the Old German Beer Hall.
Why? Because something just seems right about the combination of Snopek and women in dirndls serving 2-liter steins of beer. Snopek has been a legend in Milwaukee music for years, and he always has something interesting and strange up his sleeve.

#3: Girl Talk at The Rave/Eagles Ballroom.
Why? Because now that Dick Clark isn’t hosting the Times Square Ball Drop, you may as well go out and see what the kids are doing these days. Gregg Michael Gillis, otherwise known as Girl Talk, is a MacBook magician who will keep the young people bouncing off the walls until the wee hours. He’s joined by an impressive list of DJs and mixmasters.

#2: Jim Gaffigan at The Pabst Theater.
Why? Because you prefer a little drollery with your new decade, and Gaffigan has made New Year’s in Milwaukee a regular stop on his schedule. Champagne and Hot Pockets all around.

#1: Party Under Glass at the Mitchell Park Domes.
Why? Because it’s impossible to get a babysitter on New Year’s Eve, so bring the family for an evening out among the giant cacti and satisfying high humidity. There’s juggling, magic and clowns. And it’s unlikely that someone will throw up on your shoes.

 

 

Paul Kosidowski is a freelance writer and critic who contributes regularly to Milwaukee Magazine, WUWM Milwaukee Public Radio and national arts magazines. He writes weekly reviews and previews for the Culture Club column. He was literary director of the Milwaukee Repertory Theater from 1999-2006. In 2007, he was a fellow with the NEA Theater and Musical Theater Criticism Institute at the University of Southern California. His writing has also appeared in American Theatre magazine, Backstage, The Boston Globe, Theatre Topics, and Isthmus (Madison, Wis.). He has taught theater history, arts criticism and magazine writing at Marquette University and the University of Wisconsin-Milwaukee.