Dictionary Noir

#5: The Wiz at First Stage Children’s Theatre.
Why? Because you know The Scarecrow’s routine by heart, and you’re ready for a new spin on the Hollywood classic (even if it first appeared 35 years ago). And because this snappy, soulful Broadway staple hasn’t aged at all, mostly due to its terrific score. And because First Stage is paring it down for an intimate, kid-friendly setting, which makes this a world premiere.

#4: Police, Adjective at the UWM Union Theatre.
Why? Because Corneliu Porumboiu’s satire will give you a taste of the new Romanian cinema, without requiring you to sit through the soul-chilling darkness of 4 Months, 3 Weeks and 2 Days or The Death of Mr. Lazarescu. And because the Eastern Bloc knows how to put a fresh spin on old film noir formulas. And because we love films where a major plot twist revolves around the reading of a dictionary.

#3: Milwaukee Symphony Orchestra at the Marcus Center.
Why? Because Edo loves Beethoven. And if anyone can conduct the “Pastorale Symphony” in a way that will drive the images of Disney Fantasia sprites and unicorns out of your head, it’s him. And because violinisthas been called “perfect” by the likes of Yehudi Menuhin. And because de Waart is just getting warmed up – consider this a prelude to the coming performances of Beethoven’s 3rd and 9th symphonies, and all five of the piano concertos (all slated for next season).

#2: Trey McIntyre Project at the Marcus Center.
Why? Because McIntyre and his dancers have been in town for two weeks, and you just may have seen them performing on street corners, like they did in their home town of Boise recently – to music by the Violent Femmes. Because McIntyre’s Wild Sweet Love is one of most buoyant tributes to romance you’ll ever see (as befits a piece which combines music by Mendelssohn, Lou Reed and The Partridge Family). And because this is your chance to see three major visiting international dance companies within the span of three weeks (Bill T. Jones/Arnie Zane Dance Company last week and Wayne McGregor/Random Dance next week – both at Alverno Presents). Sure, it’s a Tuesday night, but still….Go.

#1: Radio Golf at Milwaukee Rep.
Why? Because we’re entering the second decade of the 21st century, and it’s a fitting time to look back at the 20th. And there’s no better way than through August Wilson’s dramatic Decalogue, one of the great achievements in the history of American drama. And because Timothy Douglas worked closely on the premiere of Wilson’s final play, Radio Golf, and he’ll direct it again at the Milwaukee Rep. And because you can bet Douglas will gather a superb group of actors to deliver Wilson’s final statement on the legacy of race in America.